In a room at the in-patients’ department of Longhua People’s hospital in Shenzhen, a young couple was taking care of their child, an 18-month old boy who suffers from asthma. Zhang Feng, father of the child, is the founder of Wujiaoxing, a punk band composed of migrant workers from Shenzhen industrial park. They are now working on their first album.
Migrant workers, often unskilled and coming from the less prosperous hinterlands, have been called the backbone of China’s economic engine. Zhang Feng became one of this 277 million floating population in May 2012, when he was a 23-year-old university senior. He got a job as an industrial engineer in Shenzhen, in a factory owned by Foxconn, which produced iPads and Macs for Apple but became known in 2010 and 2011 for a suicide spate. Since then, workers’ difficult living conditions have drawn public attention.
Continue reading “Profile: Singing from Factory”
At the exit of a metro station, a young short-haired woman wearing a yellow down jacket and carrying a gray backpack with a rainbow ribbon was waiting patiently for her friend. She may look like a typical college student, but Li Maizi is a well-known feminist and lesbian activist who is pushing for gender equality and gay rights in China.
She is perhaps best known for getting arrested on March 7, 2015, as she and four feminist allies planned to hand out stickers protesting sexual harassment on buses and subways.
Continue reading “Profile: From Activist to Student”
Ai Weiwei: Never Sorry is a 91-minute documentary film about Chinese artist Ai Weiwei, a dissident for the digital age who inspires global audiences and blurs the boundaries of art and politics, directed by Alison Klayman. Alison’s shooting last for almost three years from November 2008 to June 2011, covering most of Ai’s significant activities in China and overseas during that period.
As Alison said in an interview, she hopes her audience can get to know Ai as person, “going behind the headlines and the iconography”, and know more about contemporary China. The film also shows individual courage, the power of social media, why rules of law, and transparency and freedom of expression are important to any society.
Continue reading “Critique of Film Ai Weiwei: Never Sorry”
5-minute film as visual storytelling sequence for Documentary Film Production course.
Location: Hong Kong Zoological and Botanical Gardens, Central
Date: Feb 15-16, 2017
Camera: Nikon D5500, Panasonic GH4
The creatures of Hong Kong come together in the city zoo. The short film shows the contrast between the busy humans in the city centre and the peaceful turtles, lively birds and playful monkeys at the zoo. At the same time, if you look closely, the film also shows many similarities between the creatures.
Continue reading “City Animals”
If you search “left-behind children” on Google, the world’s most popular search engine, you get 62.4 million results, which number is close to 61 million – the population of left-behind children in China. Then you click on the first piece of news, by the South China Morning Post, and find three sentences emphasized – “China’s ‘left-behind children’ at higher risk of life of crime,” “Tragic accidents just part of a hard life for China’s 60 million ‘left-behind children’,” and “‘Left-behind children’ found stabbed to death in southern China.” Under the spotlight put by media in this way, these children are being stigmatized, stereotyped and discriminated against.
“Life of crime,” “tragic accidents,” “stabbed to death,” these words are what most people come up with when they think about “left-behind children” in China. Although these incidents happen, we have to admit that not every child whose parents are working in urban areas away from their rural hometown is suffering from “tragic accidents” or committing criminal acts.
Continue reading “Op-ed: Do Responsible Journalism”
3-minute film as Human Interest story for Video News Production course.
Location: Admiralty & Central & Causeway Bay & HKU, Hong Kong
Date: Nov 13-27, 2016
Camera: Panasonic GH4
Contemporary social change leads an increasing number of Chinese people to religions. Although Mainland China doesn’t have a religion environment as free as that of Hong Kong, more Chinese people have started their spiritual search.
Continue reading “Social Change Leads Chinese People to Religions”